The article passed of Visuals India is an interesting test in which it is and what it must be the fabric design. How to understand it and how, the work/work in this world, we must understand which is the fabric. The original one is published in a separate list, with the title: Design of Web of Chennai understanding. I read to the visual representations, and after the reading, it wrote down some ideas that emphasize the article. The Web of DesignWe understanding does better when we understand the designs, so it concludes; it is difficult to understand that the fabric design without the understanding of the Web.Most of the creator considers the Web like means to send to the campaigns of marketing and the publicity in which the user, liabilities receiving the video of the content and the flash. Its maximum interactivity is limited a connection like: digg this siteAlthough the fabric design uses elements of the graphical design and the illustration is not comparable to them. And to be comparable with a specialization that this one is doubtlessly the fabric design of typographyThe is creating the digital that facilitate and promote our activities, reflected atmospheres or is adapting the content and the users, and &quot of the change; subtly ” to maintain in a certain term its identity. An excellent fabric design India, has personality, is clear, by all means, is memorable… the principle of the article reveals a reason of the errors in the fabric design, the people who make the decisions from a fabric design does not understand means and, in spite of this, supervises the tasks of Web site of design and that become. On the one hand we found the people who, in spite of having a high level of masters in design lacked the same knowledge reason why the fabric. But which is the fabric design? It puts like its departure point the typography, and of it explores the similarities with other branches there, a very interesting one is the relation with the architecture. The great fabric design is like great buildings. All the buildings of offices, because they are special, have quarters of bath and stairs. The Web site also shares common elements, although a great design of the site is individual; also it seems much other designs with similar functions, as it happens to the designs for the compartments and newspapers. They are soon celebrating the great compartment of the design, but million, conscious or unconscious, the open one, and nobody is sorry that they are not posters. The Web site must also maintain many functions similar, a designer of other areas tries to create the sites that seem similar to others and avoid “invent” the new content and the new grid that will make the glance of the Web site puts a load with unnecessary and U.S.able little esthetic. The specialized designer of the fabric that understands the means, accepts that many of the projects in which he works are going to have heads, the feet and the used columns and pages to create symbol, natural, right in the mark, attractive subtle and reserved but unequivocal the memorable one. If you obtain all that and takes the care from the details, its work is beautiful. If each does not appreciate this beauty-if each does not understand that fabric-it designs it does not have to be in mourning for the fabric design, but for which they do not know. By all means the Web site is, coverall, content and the content is, by the extension, typography. The design is communication with words and typography. But the fabric design is, coverall, something different. It is neither better nor worse than another one the disciplines. That difference makes so attractive, the constant evolution of an interface, the opportunity to consider how the users react to the changes, flexibility, capacity of learning of others (the video is seen).